Cynthia Morris

I published my first novel ten years ago.

It took 12 years and 17 drafts.

Whaaaaat?!?!

I learned so many things from writing that book. One gift I received was learning that I am a tenacious person.

When committed to something, I will stay with it to the end. I finish and publish books, launch programs and lead workshops in France.

Writing that book gave me those ‘finishing skills’. It gave me the confidence to try all kinds of things that seemed beyond my reach.

Every project we finish has a gift for us at the finish line. What have you gained from completing a major project?

What project are you finally ready to commit to? A book, a body of artwork, a professional project all benefit from focus and support. 

Enrollment is open for the Original Impulse Atelier. This is my eight-month coaching group where we all dive into one project each. It starts in September, but there is some pre-work that can be done in August if you’d like to get a head start. 

All the details are here. 

Plan ahead for a productive season with us 

Hey! If you are already thinking ahead to autumn and to the deliciousness of focus that season brings, consider the Atelier. This coaching program runs along the school year calendar. In it, each member – me included – focuses on one project. We make great progress and learn a ton about our creative process. 

The Atelier is accepting applications now – if you want to make serious and fun progress on a project, this is the program for you. All the details are here. 

A cool reading job I did this month 

Recently, I was invited to be a juror for the Courage to Write literary grant sponsored by the DeGroot Family Foundation. Two other jurors and I read 33 applications. They included a letter and a sample of the writing. We were judging on several criteria, including of course the quality of the writing. 

I accepted this invitation because I have never done this. I knew I would learn from doing it. 

It was fun and an honor to peek into these writers’ worlds. To learn about their passion projects and to appreciate the commitment they have to write even when life is super busy and complicated. 

I also wanted to be a juror because pitching your idea in a succinct and compelling way is vital for anyone wanting to bring their work to the world. I help my Atelier members learn how to present their ideas. It’s not easy!

After reading through all the applications, I have one piece of advice for anyone who wants to present their idea to the world. 

Make it easy for people to talk about your work. Some might call this the ‘elevator pitch’. Whatever you call it, get the central idea of your project into one short sentence that’s easy for people to remember. 

I found myself wanting to share a couple of the project ideas with my husband. The easier it was to refer to the project, the more likely we are to share it. 

What makes for good writing? 

I recently finished Maggie O’Farrell’s This Must Be the Place and Tana French’s The Likeness. Now I’m reading The Magician’s Assistant by Ann Patchett. 

It’s a rare book that I LOVE. So I’ve been curious about what I consider good writing. In this post, I share some thoughts from my book group and also what I consider ‘good writing’. 

This piece focuses on fiction. I read a lot of non-fiction, too, and that kind of book has different criteria for me. 

This is of course highly subjective, but this is the kind of thing I ponder in the middle of just about everything: what makes for good writing? 

My book club had a couple of less than compelling picks last year, so as we prepare to choose our next set of books, we collectively asked ‘what makes for good writing?’ 

I took some notes and by the end of the discussion, of course it was obvious that we all have different takes on ‘good writing’. And we also realized that we want that variety. If we all had the same metrics, the discussion would be uninspired. 

Here are some of the things we want when we are reading fiction. 

• Easy to get into and read
• Be able to relax, enjoy, and be immersed in the book
• Don’t want to be distracted from the story
• No didacticism, teachy, preachy stuff (sorry Barbara Kingsolver)
• Emotionally intelligent
• Want a challenge/want to learn something/makes you think/changes you 
• Like when the author is trying to do something different/unique storytelling (How Much of These Hills Is Gold)

For me, I love lyrical prose. I adore sentences that move me, stop me reading, make me go WHOA. I want to be moved emotionally and I want a peek into a world. 

I mostly read historical fiction by women featuring strong female characters. I tend to avoid contemporary fiction that mirrors real life too much. Honestly, I read fiction at night to shut off the world. I don’t want something that is more of the same. 

That’s it for today! What is ‘good writing’ for you as a reader? As a writer? Share your thoughts on the Original Impulse blog here.

I am away this week on a retreat, totally off-grid. Not looking at the screen at all.

I’m writing this in advance and as an advocate of stepping away from the fray. I do take weekends off and I do get more space in the summer. But a whole week away from all my obligations and routines?

It sounds good and it’s also scary. I noticed all my fears and patterns pop up like popcorn before I left. Would the food be enough for me? Would I get along with the other participants?

This summer I have really noticed how uncomfortable change is. DUH, right? It’s easy to feel the discomfort of where we are. It’s easy to feel desire for where we want to be. But between the two, we encounter a lot of thrash. We don’t easily let go of beliefs, habits, and fears that want to keep us in the known.

I witness my clients as they go through the thrash around writing and creating. Like most things, wouldn’t it be nice if it were just a matter of a slogan – Just do it! Or a schedule we could stick to?

But no. Life is meant to challenge us. If we want to grow, we have to go through the growing pains.

Here’s to giving yourself permission to have growing pains. Here’s to being kind to yourself as you go through the thrash.

What helps you get through the thrash? Feel free to share your thoughts on the Original Impulse blog here.

Summer is my favorite season. It seems the most potent reminder to soak up the moment. If I don’t stop to notice the roses in our yard, next thing you know, they’re faded and falling away.

Summer gets my attention like no other season. Biking around the neighborhood, splashes of color attract my eye. I can’t help but oo and ahh over them just like my mom did when we drove around our town when I was a girl.

It’s easy for time to rush past. I think, what have I done? I see all the things ahead and the projects I want to do.

But when I do a mid-year review, I tap into that slow summer vibe. I pull over and reflect on my efforts. I notice that so far this year, I focused mainly on curriculum development. I love designing experiences for people and this year gave me the chance to develop a bunch of new programs.

My new courses include Your Creative DNA, Paris Sketchbook, Write Your Heart Out in Paris and Write Your Book Coaching Group.

I also pivoted two live courses, The Devoted Writer and Write Your Travel Stories into self-guided programs you can take any time.

We also produced 15 episodes of Stumbling Toward Genius. AND I wrote a draft of my new book.

Time for a break, right!?

I’m supposedly taking my summer ‘break’ but if I’m honest, the only thing I have paused for the season is hosting my coaching groups.

There’s a lot on my plate…I have a handful of new clients I am excited to work with. I’m finalizing the curriculum for my two Paris workshops. I am a juror for a literary grant (more on that in an upcoming issue).

I had grand designs for designing my current book. It’s going to be illustrated! I also considered putting together a book proposal for the book.

What happened to slow, easy summer? Does this happen to you – despite your intentions, life revs and drags you along?

I had to pull the bus over and admit it was time to let some things go.

In my current book, there’s a chapter about how we are affected by the seasons. How each season has its creative vibe. For me, summer is time for my artist to be in the lead. She is painting the summer CSA share and filling a sketchbook of garden delights and more.

Summers are where I replenish, recharge, and get in touch with my wild nature. I need time in the summer where I am not fully booked with work. Summers are for reading more. Summers mean more time outside, away from the screen.

That doesn’t mean no work, just less of it. So, how to lower my expectations and workload? I can defer the book project to this fall. It will be my Atelier project. (Yes, I do a project alongside everyone else!)

Do the seasons affect your creative cycles? Do you dial back the expectations in the summer?

Share your thoughts on this at the Original Impulse Blog here.

What do you do when you finish a notebook? If you’re like me, you’re so excited to open a new notebook. You might even just stuff the old one on a shelf and move onto those fresh, bright pages, full of potential.

But I’ve found that if I pause and riffle back through the pages, I discover gold in my own notebook.

I recently finished one of my business notebooks. I have dozens of these going back to 2000 when I started coaching.

I took myself to a cafe, got a soothing beverage and with my new notebook, paged through the old one.

I didn’t have a rigorous process. Here’s what I quickly listed:

• What I had done
  Things to do now or in the near future
  Ideas that still hold interest

When I go through a reflection process like this, I am always surprised. This time I was blown away by how much I did since the notebook began in September. A few things:

• Revived my podcast Stumbling Toward Genius with guest interviews
• Adopted a new task planning and management system – Notion
• Wrote a draft of a new book
• Designed and launched a new workshop in Paris.

And much, much more. It was surprising because all this happened alongside some very difficult personal experiences.

While it’s not about productivity above all, for me, I often overlook things that deserve a pat on the back. Going through my notebook gave me the chance to see and acknowledge my process, my progress, and my projects.

It’s hard to describe the benefit of this. I can only hope that you would find great value from pawing through your pages as I did.

I invite you to take that date with yourself when you finish a notebook. Go through and honor who you were. Appreciate how you showed up. Love yourself and your process.

What’s your ritual to close a notebook?