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Read This: Marina Abramovic’s Memoir: Walk Through Walls

I read Marina Abramovic’s book Walk Through Walls in three days. I couldn’t stop reading the story of this fascinating, powerful performance artist. Marina, from Yugoslavia, has traveled the world as an artist and explorer, collaborating with the likes of Tibetan Monks, the Dalai Lama and Willem Defoe.

Her performance at MoMA, The Artist is Present, gave her greater renown. She’s developed her own method of getting present for the sake of higher level of performance….or should I say more depth of humanity and truth. I’m inspired by her boldness, creativity and collaborative spirit.

Marina reminds me to dig deeper, be braver and stretch beyond societal boundaries. Thank you, Marina.

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How to Sell Your Art Online by Cory Huff, illustrated by moi!

It’s a big day here! My advance reading copy of How to Sell Your Art Online arrived!

This book by Cory Huff  shares everything we need to know to make a success of our art online. I was honored and delighted to be the illustrator for this book. It was a great way to silence my inner critic who doubted my ability to make money from my art.

I took it as a sweet nudge from the universe that I was hired to illustrate a book all about how to make money from art. Get your copy of How to Sell Your Art Online here.

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Want to write a book? Answer these questions first

When someone discovers that I help people write books, she usually asks me how to get on track and stay focused until the book is finished.

Before I can respond, I have to ask them some questions. I never want to make assumptions about the author’s motivations.

If you’re considering writing a book, take some time to write your answers to my coaching inquiries. This will help clarify your motivation for any major project. Your answers will help you decide whether you should do it or shelve the idea.

  • What’s important for you about finishing this book?
  • Who is this book for, specifically?
  • What impact do you want this book to have on your readers?
  • What impact do you want for you and your work?
  • What kind of help do you need now to get started and stay on track?

Self-publish or traditionally publish?

Based on your answers, you can look at the self-publishing possibility. This is a very personal decision and is largely based on whether you have a large enough platform to attract the interest of an agent and publisher. If the word ‘platform’ is not familiar to you, it’s likely self-publishing will be your route.

That’s a generalized statement. Each author has to choose her own path based on her answers to the questions I pose above. I love helping my clients sort out which direction is right for them.

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How to write books and articles more quickly

All of my clients bump up against the frustration of how long it takes to write. Because we can access and send things at lightning speed, we think we should be able to write and create that quickly. But writing remains a slow process. Especially a book: this requires deep thinking and space to hash out and develop our ideas.

I think what you’re looking for is more efficiency so you can make the most of your writing time. You can set yourself up to write more efficiently. The main work is knowing your own style and systems and sticking to them without wavering.

 

Here are seven suggestions for feeling like you are mapping and writing with more efficiency and momentum: [Read more…] about How to write books and articles more quickly

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Who to Trust When Writing Your Book?

You’re in a writing workshop and your recently-drafted chapter is up for review. Students offer their reactions. Let’s listen in:

“I love this. I love what you’ve done with your character.”

“I didn’t get it. Was she trying to pick that guy up or what?”

“This would make a great short story or a performance piece. It doesn’t have to be a just a chapter in a novel.”

Helpful?
Feedback is vital to the creative process. But inept critique from the wrong sources can squash your confidence or worse – dissuade you from continuing with your book.
Where do you go for constructive criticism? I’ve written elsewhere about how to design the feedback process so it’s useful to you.
Here I illustrate four groups you might consider asking for help writing your novel or non-fiction book.

Peers

These are your fellow writers, the people in your writing classes, or your writing buddies. Even if they’re not writing in the same genre, style or subject matter, these relationships can provide:

  • a sounding board for your process
  • a forum to share resources for developing your craft and publishing your work
  • accountability partners to help you stay on track.

Most importantly, peer relationships help you feel ‘gotten’. Being understood is vital to writers and artists who are creating something from nothing.
My peer relationships helped me and made the writing journey much more pleasant. The friendships I developed at La Muse writing retreat in France and writing buddyships I had in Boulder with Suzanne, Ann and Dorothy were all invaluable to my book.

Mentors and teachers

Writing instructors, mentors or professional editors have most likely written a book themselves. They deeply understand the craft of writing. They will be able to assess your work as a whole and offer critical and constructive insights.
After an initial novel writing workshop in 1999, I relied on professional editors to guide my work. Hiring someone to critique my manuscript was for me like taking a master class in novel writing. I did this at least four times in twelve years.

Audience members

These are people who won’t necessarily offer a critical review of your work. Instead, they’ll respond as someone who would ultimately buy and read your book. This is the person you are writing for.
Once you’ve established your core message and content, it can be helpful to pass it by your ideal reader. Do at least two drafts before showing it to a person in your audience.
Former bookstore owner and avid reader Valarie read drafts of my novel. Her perspective helped me see holes in the narrative and how I could increase the dramatic tension.

Friends and family

Your people love you. But they may not ‘get’ your work. They have a specific perspective of you and perhaps a hidden or obvious agenda. They may not yet resonate with your AUTHORity.
Here’s some of the feedback I’ve gotten from my loved ones:

“Why not just let this go and start another project?”

“The first chapter is a real downer!”

“This was a real slog!”

These comments came from highly intelligent people who love me, believe in me and wish the best for me. They were not trying to hurt me.
But they had no clue about how to give constructive feedback.
The people who matter most to us have the biggest influence on our actions. While drafting your book, I advise not sharing it with friends or family.

So which is right for you?

When you’re just beginning to write a book, you will likely opt for writing classes that teach you how to write. Be sure to learn how to filter out useless or misguided criticism that classmates may offer and focus on the teacher’s input.
As you progress in your book and solidify your message and confidence, work with other professionals and your audience to ensure your book is hitting the mark you intend it to.
What’s been most useful in helping you claim your AUTHORity? Let us know in a comment below to share what’s helped you the most.
To get solid support and make real progress on your book – fiction or non-fiction – join me for the Claim Your AUTHORity retreat this July. I’ve helped hundreds of writers claim their AUTHORity, respecting them, their material and their unique process.
The early registration discount ends this Friday. We’ve got a limited number of spaces available for this profound workshop. Claim your spot with us at the Sylvia Beach hotel on the Oregon coast, and claim your AUTHORity.
Download a .PDF of this article here.